Offline Online Song and Dance

So. I'm back. Sort of. Did you miss me?

Didn't think so. Still, here I am. Deal.

The sordid details: It all began when suddenly the "Ethernet" light on my nifty little DSL modem refused to light up. All her siblings were co-operative: Power, DSL, Internet. But. Ethernet refused to get down to work. I tried to coax her with a brand new Ethernet cable. The little light didn't even notice. I took the modem to work with me, where Mr. Techie Co-worker plugged Modem in to another computer and gently fed her through her Ethernet slot. Little Miss Ethernet Light lit up in a great beam of happiness. So I brought Modem back home with me and glared at my computer, one Milady Rose. I ran a diagnostic on Milady's Ethernet card: all appeared to be well. A finger was pointed at the device driver. So I uninstalled that, rebooted Milady, and the "new hardware detected" message came up as expected. But instead of politely requesting a driver reinstall, apparently Milady simply went and got the "proper" (presumably corrupt) driver, reintroduced the two components (hardware and software) and proudly presented me with Local Area Connection(2).

But. Still no Ethernet light.

"I'll show you!" mutters I, as I plug in the cord from the dial-up modem. Yes, Virginia, dial-up still works just fine. So the beat goes on, although considerably more slowly. It's rather like slogging through a waist-high lake of dense mud, but still I can do everything except ::sob:: watch online videos or ::boo-hoo:: log in to resource-intensive 3D worlds like Kaneva, or ::pout:: download anything more than, say, a meg in size.

But even beyond all that, it pains me that Ethernet Light should become so depressed on my watch. I shall delve deeper, explore further, and try to cheer her up. It's the only humane thing to do. And, besides, I *need* her light!

Another Artistic Genius

And I commend to thee one Theo Jansen , , ,

Kinetic Sculpture

glumbert.com - Kinetic Sculpture

From Russia, with Wit

Here's a delightful animated short from a young Russian director, Anastasia Zhuravleva. Buttons are the featured players, but Miss Floss and her papparazzi make an appearance, too.

Mind the Gap!

Social Butterfly

So, here's my whirlwind week ... well, okay, 3 day whirl out of 4, cuz I took Sunday off. Heh.

NY WRITE-A-THON
What a wonderful way to spend a Saturday, ensconced inside a venerable old library! The Library of The General Society of Mechanics & Tradesmen (est. 1820) is in a very ordinary-looking building at 20 West 44th Street ... but inside its character really shows. According to a brochure I picked up there, the library once functioned, until the founding of the NY public library system, as the largest free circulating library in the city. And to think I've lived in NYC for 40 years and never knew about it! These days it is still open to the public, but by subscription.

So I spent the day writing and writing and writing till my hand started to hurt (!!) ... and kept on writing anyway. I started with a workshop, there was a break for lunch, and another break for the guest speaker, Chris Baty, the founder of National Novel Writing Month. He was a delightful speaker, very funny and very inspiring. Afterwards, I sat across from him at a table, noting the "I'll sleep in December" sticker on his laptop (NaNoWriMo is in November), and I managed a fangirl hiya and told him how my friend John who wasn't at the 'Thon had introduced me to NaNoWriMo a while back ... and, while I'd never managed to complete the challenge, I vowed that this year would be the year. He grinned, we shook hands, it was a great end to the day. Oh, and I'd raised enough $$ to win a subscription to the Bellevue Literary Journal, which I had a copy of that I read on the way home and found to contain *excellent* work. So I was pleased, and I can't thank my sponsors enough!

SCIENCE SOIREE
Another day (Monday), another Library, this time the Science and Business Library at 34th Street and Madison. This was the 4th and last in a series sponsored by the Cold Spring Harbor Laboratories. I'd been to the first and found it interesting, so was glad I could make it to this last one ... it was about research into birdsong in an effort to understand language (umm ... right). I was mostly annoyed, this time, by the lecture, but by the time they got to the business at hand, I had already been awed: introducing the speaker was none other than Mr. DNA himself, Dr. James Watson! Now I didn't speak to him at all, but I did stand mere inches away from him, and let me tell you that was as much a thrill to this fangirl as was sitting behind Arlo Guthrie at the film festival.

Man, I love New York.

INDESIGN USERS GROUP
Another day (Tuesday) and this butterfly wasn't finished flitting yet. My first Users Group meeting, I was enticed by a chance to meet some fellow users (shop talk!) and to win the new Adobe CS3 suite. So I chatted with some folks, got a Mac techie recommendation (as opposed to using TekServe, which folks there apparently generally considered a pain), sat through a demo of XML (fellow kept saying "now here's the WOW factor ... ooops ... let me try that again"), enjoyed a presentation by a fellow who does a regular podcast (made me wish I had a 'pod' to watch 'casts on), and didn't win a thing, not even one of the books on offer much less the software. And no fangirl sightings. But a worthwhile evening nevertheless.

So now I'm spending the rest of the week resting up.

I've Been Tagged

I'm taking up Cynthia's challenge to post 8 random things about myself:

1. I usually wake up at 5 a.m. to the sound of birds singing / chirping / chattering. It's quite a cacophony, and I enjoy it.
2. On many Sundays, I sleep till noon. I don't know why I seem to need to do that, nor how my body "knows" it's Sunday.
3. I dislike make-up and never wear any.
4. Often when I come home, I leave the mail in the mailbox and grab it in the morning instead. In the morning, I can deal with things. By the time I return home at the end of the day, I just want to hide.
5. When I'm not thinking of anything in particular, my mind keeps busy by counting. I often catch it counting. Often to song.
6. Deadlines. Give me a deadline and I'm all action. No deadline? You have a long wait. Alas.
7. There are monkeys in my house. Also robots, a wizard, a Mr. Spock doll, and a big stuffed grinning Hershey's Kiss.
8. My eyes are blue.


This is part of an ongoing Meme. The rules of the Meme are:

1. Each player starts with 8 random facts/habits about themselves
2. People who are tagged write a blog post about their own 8 random things and post these rules
3. At the end of your blog you need to tag 8 people and post their names
4. Don’t forget to leave them a comment and tell them they’re tagged, and to read your blog.


Like Cynthia, I don't have 8 people to tag. Let's see ... who do I know?

Marianne G

and a couple of folks who don't have blogs. Well, John has, but not one appropriate for tagging:

JohnH
Penny

Well, maybe someone will drop by and post their 8.

A Video to Watch

I commend to thee one Peter Donnelly,
THE SAND DANCER

On The Wagon

The wake-up call was a sudden sharp pain in my lower left leg, every single time I took a step. My instinct was to walk through it, but two days later I was still walking even more slowly (far more slowly) than I usually do. Then on the third day I tried hurrying to hop on a subway train before the door closed ... well, let me tell you, the pain brought on by that little maneuver was excruciating, stopping me dead in my tracks. The train went on without me while I hobbled to a bench to await the next one.

So off I went to the Internet to scope out this thing ... and, bingo, first hit I had the answer: there was either a bloodclot or a constricted vein. Super scarey and of course the first advice was to hie one's sorry self to one's friendly physician for a correct diagnosis and appropriate medication. Just exactly what I avoid like the plague. So I read further:

1) Stop smoking. Immediately. (But this is a vice I have never had. Lucky, wise ole me.)

2) Walk through the pain, and your body, your wonderful otherwise healthy body, will build a workaround for itself so that, with diligence, walking will once again be pain free. (Okay, this I can just keep on doing.)

And the third component? Other than medication? It comes something like this: Hey, dodo, what have you been eating lately? Whatever happened to those good intentions, those lovely salads, fruits, veggies, good whole-grain carbs and so on? Hmmmm?

Well, I'd been sort of back on the diet wagon for a week or so before this all happened, but obviously not to the extent I should have been. Too little too late? Off I went again to the Internet and once again, bingo, first hit I had an answer. Her name is Anne Collins, and let me tell you, I am soooo happy I found her and her site: http://www.annecollins.com

Not to be a shill or anything, but hey. This is the most sensible weight-loss resource I've ever come across ... and the cost is an amazing $20 per year, that's per YEAR, folks, not per month, although even so it took me a couple of days before I parted with that princely sum to gain access to the diet plans and the forum.

Did I say diet plans? Yes, I did. Nine of them, and each one a complete sensible program in and of itself. Honestly, did you ever buy a diet book? What did you pay? How about $20 for nine diet books? And just cuz these are e-books doesn't mean they are skimpy or lacking in any way. And why nine? Different strokes for different folks ... do one, do them all, mix and match, depending on your needs. And they come with access to an online forum, diet tips that aren't just one-line aphorisms that you can already recite in your sleep, and honest, down to earth, personalized one-on-one help if you need it.

I'm blown away. Best dang $20 I ever spent in my life.

And, oh yes, that leg pain? Took two and a half weeks, but I'm walking normally now, the pain has completely disappeared. No doctor's visit, no medications, just continued walking and healthy eating. I'm sold!

Tribeca Film Fest: Part the Last

Okay, I went to nine showings this year, of which I've reported on five. Four to go, but I'm running out of steam, so I'm going to wrap it all up in this one post. I do want to say that I was among the volunteer crew for the first time this year, and the rewards of that were well worth the effort. If nothing else, there were 4 screenings that I went to that I wouldn't have been able to otherwise. And there was a party for the volunteers last Tuesday night, but if the party were ever a reason to volunteer, I sure wouldn't do so again. Um. Too many strangers and too loud for my taste. Heh. But I'll probably volunteer again next year too. It's a great way to experience the Festival from another perspective, meet some interesting folks, and have a story or two to tell!

Express Stops Only: A number of shorts, the funniest of which was Super Powers, the story of a couple who find adventure as Wonder Woman and Batman (in boxers), or maybe the funniest was Happiness, in which a worker in a condom factory .... oh but let me not spoil it. Surely you'll see for yourself. The best overall, imho, was A Nick In Time, a tale of morality and caring told in a barber shop. Remember the name Be Garrett. If he doesn't go places, then there's just no justice.

The Gates: A documentary covering the process Jeanne-Claude and Christo went through to get their 2-week installation, The Gates, up and running in Central Park. I'd seen it only from afar while it was there, so I truly appreciated the close-up vistas this film afforded. And the 20+-year work up to the event was well worth seeing and lessons in and of themselves. And, in many cases, a hoot! Although I'm quite sure the artists saw it far more as utter frustration than a hoot.

Portraits of Women: Another series of short films, the most interesting of which were at either end: the first, Manuelle Labor, and the last (and longest), So. Manuelle Labor was an odd piece of absurdity about the birth of a pair of hands. Trust me, you had to be there. So was the long-ish documentary of a solo sojourney through Australia, taken, says just-turned-30 filmmaker Aimee Jennings, as a kind of honeymoon as she realized she would "never" marry. There is a thread of risk-taking throughout ... although, having seen Shame, things like bungee-jumping -- though something I would most assuredly never dare to do -- pale into useless frivolity. And Theresa and I agreed that a little more distance/time and some judicious editing would have improved this film. Even so, well worth seeing, and I'd guess we'll be seeing more of Ms. Jennings.

Tootie's Last Suit: A good film to end on! Tootie Montana, known among the "Indians" of New Orleans for his wonderful Mardi Gras get-ups, makes his last suit. Well, his purported last suit. Which is to say, he's addicted to 'masking' for Mardi Gras and he isn't *really* about to retire, if he can help it. Thing is, in the end, he _can't_ help it. None of us can. Tootie dies, as is noted, on the battlefield. And, in the end, we have another father-son-relationship tale. With as unstintingly honest a camera lens as you can get, which is to say that both Tootie and his son opened up some, which the camera caught and filmmaker Lisa Katzman edited well. A film well worth seeing, and a legacy well worth preserving.

Tribeca Film Fest: Part II.i

There was a film that Theresa told me I must see if I had the chance at all, and I did so I did. When Theresa recommends something, I pay attention. I am so glad that this time I not only paid attention, I obeyed.

SHAME: This documentary follows the last five years in the life of Mukhtaran Mai, a Pakistani woman of remarkable integrity and tenacity. And talk about emotional honesty! Oh, heck, just plain honesty. Raped on the orders of a tribal council, in retaliation for her younger brother's alleged misconduct, this uneducated illiterate woman (who had nonetheless memorized the Quran) raised her voice in protest and, with the help it must be said of at least one man in the village, a cleric who took up her cause, made the government stand up and pay attention and (unwittingly!) fund a school. Which is to say that what Mai decided to do with the decidedly small amount of money the government awarded her in recompense was to use it to start the very first school in her village. The entire story is remarkable. And inspiring. And I cried through the whole thing, the tears just would not stop. Which is not to say that I was saddened; on the contrary, I was cheering her on all the way. You will too. If you have the chance, you must see this film.

CELEBRITY SIGHTING: Mukhtaran Mai herself, who answered audience questions through the filmmaker, who acted as her translator. A male, Pakistani, filmmaker, by the way. And there was one fellow in the audience who stood to proclaim how much she made him *proud* to be Pakistani. Wow. As for me, I am in awe.

Tribeca Film Fest: Part I.iv

I'm a great fan of animation, but somehow John Canemaker was a name unknown to me. Since it sez here his animated short, The Moon and The Son, won an Oscar last year, I figured it was time to get to know him. Little did I know . . .

THE ANIMATED WORLD OF JOHN CANEMAKER: There were several shorts spanning a long career, notably The Wizard's Son, a delightful tale told without words, Bridgehampton, a Fantasia-inspired leafy meditation in celebration of a move he made with his family to said town, and a short interview with/documentary about Otto Mesmer, the unsung animator of the old-time Krazy Kat cartoons. Of these, I particularly enjoyed Bridgehampton and the Mesmer documentary. And I liked the whole series because each of them was vastly different from the others, showing not professional growth so much as a depth of skill.

But nothing prepared me for The Moon and The Son, the story of his father, of his relationship with his father. It is presented as an imagined conversation with his recently deceased dad. In many more ways than one, it is a revelation. For one thing, there were the secret parts of his dad's life, beginning with the matter of his birth. "So, dad, where in Italy were you born?" "Hazelton, Pennsylvania" is the reply. (although I am probably not remembering the exact town correctly) That the story unfolds engagingly, intelligently; that the art, the animation, the presentation is spot on really goes without saying. I expected all that even as I was sitting there admiring the extraordinary craft of the piece. And I expected, too, a resolution to the strained relationship between father and son, a coming-of-age, a coming-to-understanding, a forgiveness ... that is, after all, how such explorations are supposed to conclude. Isn't it?

It disturbed me that things did not wrap up so neatly here. Bothered the bejabbers outta me it did. I thought and thought and thought and couldn't stop thinking about it. How could you look so deeply into a life, how could you live your own --- certainly flawed, isn't everyone's life flawed somehow, don't everyone's expectations not just of others but of themselves fall short in one way or another? -- and come away so ... so ... so unforgiving? I thought about my own relationship with my father. My family's various relationships with him. How was it different with us? Why was it different?

And as I thought and thought and argued with myself I began to understand that I had just seen perhaps the most emotionally honest film I'd ever experienced. Heck, no perhaps about it. And how valuable that is. And it is an animated film ... and perhaps indeed it is because of that that it can be so honest.

An Academy Award. It won an Academy Award. No wonder. And ... very probably ... not a high enough award for so thought-provoking, so honest, a piece of work.

CELEBRITY SIGHTING: John Canemaker himself was present for Q & A. Among other things, we learned that Fantasia is his favorite film. And that his real last name, which he never legally changed, is of course that of his father, Cannazarra. So why Canemaker? Seems he'd aspired to being an actor and when he was signing his first acting contract, he was told that Cannazarra was too "ethnic" and in searching for something more acceptable, someone decided that Cannazarra probably translates into Canemaker. Sure. Whatever. The son took it on profesionally and, as he said, is stuck with it.

Tribeca Film Fest: Part I.iii

I was excited: this was the premiere, the premium-priced showing that I'd tried to avoid, actually, because of the $25 cost. But the $18 tickets for the other two showings were sold out, so I had to "settle" for these ... I was feeling no pain, however, only anticipation. Fair warning: I was a teenage (okay, young adult) flower child / peacenik / countercultural wannabe. Just so you know.

PETE SEEGER: THE POWER OF SONG
The film began with a standing ovation.Um, no, not the film itself . . . the experience began with a standing ovation. Before the film started, Pete Seeger was announced to be in the audience. At once, everyone in the place stood and applauded. And then we sat down, the film cued up, and we were transported waaaay back in time ... before most of us had yet been born, there was Pete, there were the Weavers, there onscreen for us to remember and be reinspired by, was integrity personified, Pete Seeger ... unfolding, as biographies will, with only the occasional, thank the good filmmaker, talking head to get in the way (or in Arlo's case cause a knowing guffaw or two to erupt from the audience). The songs, of course, were wonderful, and it was great to relive those times we (all) shared on the planet with this man who sang his way through good times and bad. Of course, a film about Pete Seeger cannot be just about Pete or even just about song ... there is a clear agenda here ... but, as it's Pete & I'm with him in that agenda, it's okay, I forgive him, & yah I sang along though carrying a tune is hardly my forte. (But, Pete, my love, you're wrong, it's not the song that has such power, it's the people ... oh, but Pete I know you know that. Wish the filmmakers did -- can you tell I am at odds with that awful subtitle? The power of song, indeed. Bah.) ::ahem:: Okay. Another standing ovation was in order after the film. And a resounding ovation it was, too. The audience sat down again ... only to rise a third time, this ovation for the lady who keeps his home fires burning, his wife, Toshi. And well deserved the ovations are, although the smoldering radical countercultural feminist in me winces a bit at the implications of so highly praising Toshi's self-subsuming sacrifices to further her husband's career / mission in life. Um, sufficiently so that I refrained from the third ovation though no doubt that sacrifice was willingly and lovingly made. All in all, it was a *stellar* evening, one that left me with only one word coursing through my overloaded, sleep-deprived brain: WOW. And wow and wow and wow and wow.

CELEBRITY SIGHTINGS: Pete Seeger, of course, was in the audience. He'd come walking by before the show, by the curb, along the line of those of us waiting for the doors to open. After he'd passed by & entered the theater, the fellow behind me says to his companion, gee do you think Pete will be here? So several people said in unison, Did you not see him just go by??? Poor fellow. And truly exciting for me was to sit in the row behind and four seats to the right of none other than Arlo Guthrie. I just smiled and enjoyed it. No fangirl bow for me. Learned my lesson at the Eisner showing. I'm a jaded New Yorker, after all, yanno.

Tribeca Film Fest: Part I.ii

I am a fan -- from way back -- of comic art. Back in the day, when I was still in my teens, or perhaps just before, I discovered the Chicago Tribune archives on filmstrips at the main branch of the Chicago Public Library. I would sit for hours pouring over all the Moon Mullins, Bringing Up Father, Smokey Stover, Dick Tracey, Blondie, etc. comics I'd missed. I loved comics. And I stuck up for them: they are as much literature, I would declare to any passing adult, as any Tom Sawyer, David Copperfield, Little Women, or Moby Dick around. And the adults would snicker knowingly, pat me on my head and send me on my way. And then at long long last along came Maus. And I have been vindicated. Oh, but before Maus, apparently, there was ...

WILL EISNER: PORTRAIT OF A SEQUENTIAL ARTIST
What I knew about Will Eisner before seeing this film you could, as my father used to say, put in your right ear and have room left over for an extra bowlful of wax. This film, thank you very very much, did a wonderful job of filling me in on this creator of what is arguably the first graphic novel, A Contract With God, certainly the first published graphic novel ... although the first one for *me,* and I suspect many others, was Art Spiegelman's seminal and super-popular Maus. The film, as I say, was a good biography. But I kept waiting -- in vain -- for it to be ... more. More than talking heads (Jules Feiffer, Art Spiegelman, Will himself among them), more than a montage of snips and pieces from his work, more than a PBS offering, however interesting and informative that is. I thought ... wanted it to be ... something deeper, more compelling, something ... I don't know ... dramatic, I guess, something placed more firmly in context perhaps, something to give the bare facts more humanity, more meaning. Something that would bring those not already fans of the medium into the theater and then send them out into the bookstores to explore further. Though it did do that to some extent for me: there I was, later in the week, seeking out A Contract With God, which I found, not at the crowded & lively Forbidden Planet where I expected to find it, but at Barnes & Noble on a bottom shelf in the well-stocked but forlorn graphic novels section. Dear reader, I thumbed through the tome but left without it (I do want to read it, just not at that price).

CELEBRITY SIGHTINGS: Outside the theater, while waiting in line, there by the curb chatting with friends was Samuel R. Delaney, the subject of the previous film at that theater. I recognized him by the photo in the Film Guide. I smiled, remembering my sci-fi-fan-days way back when. Inside the theatre, though, after the film, Art Spiegelman answered one of the Q-and-A questions from his seat just across the aisle from me. Oh, Lawdy, I couldn't help myself: hadda give him my fangirl bow-of-appreciation. Embarassed the heck out of me and I'm sure he thought how tacky but what's a tongue-tied fangirl to do? And he was very gracious.

Film Festival, Part I.i

The Tribeca Film Festival will be in town through this weekend, and I've seen 4 of the 8 films I have tickets for (3 freebies, thanks to some volunteering stints), so figured it was time for a half-time post. Or four, actually, one per film, so if I bore thee, dear reader, you may handily skip over what doesn't interest you.

THE FORTY-FIRST
This restored Russian film from 1956 was introduced live by Martin Scorsese. Seems it had had a powerful influence on him in his youth, and he heartily recommended it to us, along with the cameraman's (Sergei Urusevsky) other work also in the festival, The Letter That Was Never Sent, which, said he, "You must see." The film proved to be, as advertised, a color-cinematographic revelation with not only sweeping water (and sand!) vistas under a glorious "Prussian-blue" sky but a definite sense of the camera as naked-eye-witness to the unfolding drama. The story is of a female Red Army soldier, a sure shot, who handily fells her 39th and 40th enemies, congratulating herself after each one: the 39th! the 40th! She misses when she takes aim at number 41 ... but, dear film-goer, she does get him in the end. She tries not to fall in love with him ... charming her, he wins her over ... and then, alas, circumstances bring on ... an awful deed. A bit of melodrama. A bit of (unfortunately laughable) overacting (Scorsese allowed as how the highly-charged emotional acting was reminiscent of silent film, and he had a point there, he did). Actually, there was sufficient overacting that I might have been upset had I paid the full freight to see this one, but as this was a last-minute freebie for me, I was instead glad to have seen it. The cinematography *was* truly stunning ... the music lovely and understated ... storytelling even in the silences ... all in all a good enough film that it's left me wondering why the choice was made (surely it was a choice) to push the acting / emoting between the two unlikely lovers so far up to and over the edge. Perhaps an antidote to the unblinking eye of the camera? I don't know. I shall ponder further.

A-Blogging We Will Go

Actually, a-blogging we went.

I like to just hit the "next blog" button every now and then and see what is to be seen out in the blogosphere. Rather like the impromptu bus trips I would take of a weekend in my long gone misspent youth . . . just as fascinating but far less costly!

I rather liked this one -- check out the homemade cat toy. Very creative and fun! I also enjoyed the tree-in-autumn and those croquettes sound/look very tasty!

--R

Save The Earth

Chatting about the topic of the day, a friend pointed out this place that gives instructions for crocheting tote bags from those ubiquitous plastic bags that we all get while shopping (and accumulate and toss out) but are so bad for the environment. Included are instructions for making the bags up into balls of "yarn" for the process.

I think it's a neat idea ... gotta break out the ole crochet hooks!

--R

We Stitch, We Shop, We Shop, We Stitch

So off I went on a chilly Spring day -- last Saturday to be exact -- to pick up my framed Winter Sampler from Where Victoria's Angels Stitch. As usual, the photograph doesn't do the picture, or the frame, justice, alas. But I am pleased with the result! I brought it in to the office to show off and after work I went up to Theresa's office to pick up & pay for the Tribeca Film Festival tickets she'd bought for me, great excuse to show off again . . . so this is a well traveled deer already. She'll do a little resting up on my bedroom wall before she's off again to a show, or at least them's the plans.

And as long as I was already at the shop -- waiting for Marianne, whom I'd corralled into meeting me there, to arrive -- I managed to find a couple more patterns to add to the ole stash. My Lady of the Snow, a Passione Ricamo design, called out to join The Night in my stash of "Maybe-In-Another-Life" must-haves. Well, a girl can dream, can't she? And The Kingdom Sampler, a Dragon Dreams design, found its way on to the counter and into my bag, too. I rather like the alphabet at the bottom of that one, but I'm thinking . . . enough with the alphabets already. It needs a saying, a phrase, a sentence . . . something medieval/dragony/fantasy-ish. I just don't know what yet.

My money over- but certainly well-spent, Marianne and I betook ourselves to the Atlanta Bread Co. for refreshment and conversation and then to A.C. Moore . . . where I found this lovely tome waiting for me, The Knitted Teddy Bear, by Sandra Polley.

Yes, Virginia, I needed another obsession in my life. (Aw, c'mon, lookit that cover. Tis not possible to resist!

These are small bears, but I bought sufficient yarn for the largest of them. And once home I promptly began with one of the simpler, smaller bears. SoI shall have to shop again for yarn for the larger bear. Not to mention additional shopping for other bear parts -- fiberfill, buttons, eyes, that sort of thing.

Restraint, thy name is definitely *not* Rosie!

A Bloggin' Discovery

Was just noodling around this evening in the Grand Magnificent Blogosphere and came across this gem. Don't let the title scare you away . . . the fellow's a serious cartoonist.

The entry that caught my eye is the Jay Kennedy tribute. Not that I knew Mr. Kennedy or anything, but I've long been interested in comics (and strips in particular) and was struck by the NYTimes obituary this week. I mean, I didn't know him, wouldn't have been able to tell you his name, but I knew what he would have meant to the industry. And Mr. Fies's tribute says it all.

But don't stop there. Go down, down, down to the March 10th entry. Play the videos. I dare you not to smile.

Live long and prosper!

--R, ordering the book on her way out the door

Pretty Britter Kitties

Last weekend at WVAS with the Metrostitchers I refrained from purchasing more than the framing for my newly-finished Winter Sampler. But I did get a start on one of the Britter Kitty patterns ... I love these, they are just adorable and work up quickly ... and managed to enable another shopper, who noticed the kitty I was stitching and asked where to get her own.

So I started this little cutie on Saturday and finished her up on Sunday:



Once I had her finished, she told me her name is Lovey. And the bird? Dovey, of course!

That was actually my second Britter Kitty. Here's the first one I did some time ago:



I see a theme here. I guess I like birdies perched on kitties. I'd have asked this kitty her name but I didn't want to disturb her nap. The bird is Baby Blue. ;)

--R

Book Run

Actually, it was going to be a fast magazine run but it's impossible to confine oneself to magazines alone at B&N. My one victorious restraint: *not* spending $10 on one of those "knowledge" decks of cards, this one entitled Fabulous Fonts. I was, after all, just curious about which fonts were included but I decided that it wasn't worth a ten-spot to find out. And I can get whatever font fix I need on myfonts.com anyways. For free. So I did pick it up, carried it around a bit, then shamefully left it forlorn on a foreign shelf. Yet another sin I will be paying for forever in the hereafter.

Here's what I was unable to resist:

Games Magazine (April 2007)
Poetry Magazine (March 2007)
The Best American Science Writing 2006
Almost Human: Making Robots Think, by Lee Gutkind
Victorian Lace Today, by Jane Sowerby, photography by Alexis Xenakis

The most expensive of these was the Victorian Lace book, but I justified the expense with the promise of actually making one -- or more -- of the patterns. That is my ambition, at least. We'll see just how much larger my eyes are than time-in-the-universe left to me.

--R

Try to Remember

Note to self: you do not not NOT want to add YouTube addiction to your list of obvious character flaws.

But .... still ... gotta share this one, it's too good not to. Just promise your Auntie Rosie you won't lose your self (and whole days, weeks, months even) endlessly clicking on video link after video link.

I mean. I was soooo lucky to get away with my sanity still intact. Skewed. But intact.

Whew.

--R

P.S. See Bob & Joan sidebar to the left for some faves from this evening's YouTube excursion.

Joining the Crowd

Time for me ... though I don't know why ... time for me to stop Resisting and start Blogging. Hey I live in the Big City. Good training for hiding in plain sight.

So let me see if this is a tree I want to swing from. Onward!

--R